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Are You Afraid Of The Dark

Are You Afraid Of The Dark Are You Afraid Of The Dark Are You Afraid Of The Dark

My special thanks go to my assistant- Mary Langford- whose contribution was invaluable.

PROLOGUE

Berlin- Germany

SONJA VERBRUGGE HAD no idea that this was going to be her last day on earth. She was pushing her way through the sea of summer tourists overflowing the busy sidewalks of Unter den Linden.

Don't panic- she told herself. You must keep calm.

The instant message on her computer from Franz had been terrifying. Run- Sonja!

Go to the Artemisia Hotel. You will be safe there. Wait until you hear fromThe message had ended suddenly. Why had Franz not finished it? What could be happening? The night before- she had heard her husband saying to someone on the telephone that Prima must be ...

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He had filed a false flight plan for Kennedy airport. No one would think of looking for him in Denver.

He would spend the night at his sister's home, and in the morning he would be on his way east, to meet the others. All the arrangements for eliminating Prima were complete, andA voice on the radio interrupted his thoughts. "Citation One One One Lima Foxtrot, this is the approach control tower at Denver International Airport. Come in, please." Gary Reynolds pressed the radio button. "This is Citation One One One Lima Foxtrot. I am requesting clearance to land." "One Lima Foxtrot, say your position." "One Lima Foxtrot. I am fifteen miles northeast of the Denver airport. Altitude fifteen thousand feet." He saw Pike's Peak looming up on the right side. The sky was bright blue, the weather clear. A good omen.

There was a brief silence. The voice from the tower came through again. "One Lima Foxtrot, you are cleared to land at runway two-six. Repeat, runway two-six." "One Lima Foxtrot, roger." Without warning, Gary Reynolds felt the plane give a sudden, high bounce.

Surprised, he looked out the cockpit window. A strong wind had come up, and within seconds, the Cessna was caught in a violent turbulence that began to toss the plane around. He pulled back the wheel to try to gain altitude.

It was useless. He was trapped in a raging vortex. The plane was completely out of control. He slammed down the radio button.

"This is One Lima Foxtrot. I have an emergency." "One Lima Foxtrot, what is the nature of your emergency?" Gary Reynolds was shouting into the microphone. "I'm caught in a wind shear!

Extreme turbulence!

I'm in the middle of a goddamn hurricane!" "One Lima Foxtrot, you are only four and a half minutes from the Denver airport and there is no sign of air turbulence on our screens." "I don't give a damn what's on your screens! I'm telling you-" The pitch of his voice suddenly rose. "Mayday! May-" In the control tower, they watched in shock as the blip on the radar screen disappeared.

Manhattan, New York AT DAWN, AT an area under the Manhattan Bridge along the East River not far from pier seventeen, half a dozen uniformed police officers and plainclothes detectives were gathered around a fully dressed corpse lying at the river's edge. The body had been carelessly tossed down, so its head was eerily bobbing up and down in the water, following the vagaries of the tide.

The man in charge, Detective Earl Greenburg, from the Manhattan South Homicide Squad, had finished the official prescribed procedures. No one was allowed to approach the body until photographs had been taken, and he made notes of the scene while the officers looked for any evidence that might be lying around. The victim's hands had been wrapped in clean plastic bags.

Carl Ward, the medical examiner, finished his examination, stood up, and brushed the dirt from his trousers. He looked at the two detectives in charge. Detective Earl Greenburg was a professional, capable-looking man with an impressive record. Detective Robert Praegitzer was gray-haired, with the laid-back manner of someone who had seen it all before.

Ward turned to Greenburg. "He's all yours, Earl." "What have we got?" "The obvious cause of death is a slashed throat, right through the carotid artery. He has two busted kneecaps, and it feels like a few ribs are broken.

Someone worked him over pretty good."

"What about the time of death?" Ward looked down at the water lapping at the victim's head. "Hard to say. My guess is that they dumped him here sometime after midnight. I'll give you a full report when we get him to the morgue." Greenburg turned his attention to the body. Gray jacket, dark blue trousers, light blue tie, an expensive watch on the left wrist. Greenburg knelt down and started going through the victim's jacket pockets.

In one pocket, his fingers found a note. He pulled it out, holding it by its edge. It read: "Washington. Monday, 10 a.m. Prima." He looked at it a moment, puzzled.

Greenburg reached into another pocket, finding another note. "It's in Italian." He glanced around. "Gianelli!" One of the uniformed police officers hurried up to him. "Yes, sir?" Greenburg handed him the note. "Can you read this?" Gianelli read it aloud slowly. " 'Last chance. Meet me at pier seventeen with the rest of the dope or swim with the fishes.'" He handed it back.

Robert Praegitzer looked surprised. "A Mafia hit? Why would they leave him out here like this, in the open?" "Good question." Greenburg was going through the corpse's other pockets. He pulled out a wallet and opened it. It was heavy with cash. "They sure as hell weren't after his money." He took a card from the wallet. "The victim's name is Richard Stevens." Praegitzer frowned. "Richard Stevens… Didn't we read something about him in the papers recently?" Greenburg said, "His wife. Diane Stevens. She's in court, in the Tony Altieri murder trial." Praegitzer said, "That's right. She's testifying against the capo di capos." And they both turned to look at Richard Stevens's body.

CHAPTER 1

IN DOWNTOWN MANHATTAN, in courtroom thirty-seven of the Supreme Court Criminal Term building at 180 Centre Street, the trial of Anthony (Tony) Altieri was in session. The large, venerable courtroom was filled to capacity with press and spectators.

At the defendant's table sat Anthony Altieri, slouched in a wheelchair, looking like a pale, fat frog folding in on itself. Only his eyes were alive, and every time he looked at Diane Stevens in the witness chair, she could literally feel the pulse of his hatred.

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